The kinder, gentler Emergencies Act should not be underestimated. And framing the convoy as foreign-funded and US-inspired does more harm than good. Writer Nora Loreto co-hosts.
Tiffany Lam
Producer
Jesse Brown
Host & Publisher
Tristan Capacchione
Audio Editor & Technical Producer
Kieran Oudshoorn
Managing Editor, Podcasts
Hosted by Jesse Brown and Jonathan Goldsbie
The kinder, gentler Emergencies Act should not be underestimated. And framing the convoy as foreign-funded and US-inspired does more harm than good. Writer Nora Loreto co-hosts.
UPDATE: An earlier version of this episode included a partial comment without proper context. The comment has been removed.
Quebec’s overblown backlash to the appointment of Amira Elghawaby as special representative on combatting Islamophobia in response to her analysis of a poll from back in 2019. And is the government telling us to only drink two alcoholic beverages a week? Sarah Hagi co-hosts.
McKinsey is on everyone’s lips, but it’s just one of the many consulting firms the government is spending millions on. And as the provinces and federal government battle it out when it comes to healthcare, whose side are we supposed to be on? Nora Loreto co-hosts.
Is PM Trudeau a stealth warmonger? Co-host David Pugliese explains why it is so difficult to wrap one’s head around military spending. And Jordan Peterson’s latest drama over a banal request from the College of Psychologists of Ontario’s request for social media training after complaints over inappropriate tweets.
The Shorties! Or Cutties! Or Shortcuttys! A special awards show highlighting variably consequential media weirdness from the year past. Dani Paradis co-hosts.
Why Twitter should be run more like a newsroom and a look at the Twitter Files. And the latest in CTV’s Lisa LaFlamme story and who was left out of the narrative. Jan Wong co-hosts.
Former crime reporter Tamara Cherry — who now works as a specialist-for-hire on trauma-informed practices — joins Jonathan Goldsbie to consider what allegations swirling around Leah McLaren’s memoir have taught us about what could be called “trauma-indifferent” writing.
