Born in Philadelphia, Glenn came to McGill in the 60s to study music. He fell in love with Canada, released some albums, sang alongside people like Bruce Cockburn, and became a regular on Mr. Dressup.
Recently, his self-released album Keyboard Fantasies was rediscovered. He’s since returned to the stage with a new band, pulling music from his extensive catalogue of jazzy folk, classically-influenced soundscapes and electrified negro spirituals.
Now in his 70s, Beverly Glenn-Copeland reflects on some of the moments that shaped his musical path, including his love of Star Trek, a pianistic rivalry with his dad and the experience of moving through the world as a trans man.
Get a weekly note about our top stories.
This is a good thing that we do. You'll like this.
We are a very rare kind of company – actually and truly independent journalism.
We tell great stories that need to be told, without fear or favour.
We work for you.
Support us. We uncover secrets and hold the powerful to account.
We've done it before. We keep doing it.
Plus: ad-free podcasts, maybe some socks or a t-shirt. Up to you.