On this episode, we don't go around Drake—we go through him.

On this episode, we talk about those things you only indulge in the dark. We turn up the house lights and ruin the magic of cinema.

The Imposter's first live event at the Gladstone Hotel. Like a first marriage, it's new and exciting, and promises that the next one will be infinitely more extravagant.

Carolyn Taylor on how Baroness Von Sketch Show gets made. Lauren Strapagiel defends Guy Fieri. The women of The Second City talk about being funny while female.

Matt Johnson keeps sneaking around and getting away with it. Stephen Thomas is a lifelong human chameleon.

Lido Pimienta charges extra for diversity. Subversive make-up tutorials from Megan MacKay. Cult 60s prairie rock psychedelia and Guillaume Morrissette reads his own worst reviews.

Remembering Inuit artist Annie Pootoogook. Vanessa Dunn on fronting a cock rock cover band while pregnant. PUP's Stefan Babcock almost goes into punk retirement.

Tanya Tagaq opens up to Aliya before the release of her new album, Retribution.

The former host of CBC's WireTap has moved to New York, but he's having trouble moving on.

Walter Scott doodles on a napkin and gets big in Japan. Mike Carrozza breaks down the bear joke. Anni Spadafora unlearns music. Mister Quickly, Amazon's greatest wit, revealed.

Aliya takes a trip to New York to talk to an Albertan running a radio station out of a shipping container.

A 1967 film exposed a controversial group home for children. But what happened when the cameras left? Jennifer Goodhue struggles for a laugh. Morgan Waters and Brooks Gray trick people into being on TV.

Jessica Campbell probes unexplored parts of famous dead artists. D'bi Young Anitafrika plays cops and revolutionaries.

Aliya explores the impact of Degrassi, a high school melodrama that's a whole lot like a prison show. Snake reads fan fiction. Aisha Alfa rejects her only fan. Degrassi creator Linda Schuyler talks pig farmers and penis pumps.

Pasha Malla and Jeff Parker find the poetry in press conferences. Hazel Meyer redefines fantasy sports. Nick Grottick wants you to smell the song.

Leanne Simpson learns to work with the noise. Scrabble opens deep wounds in Delhi. Golboo Amani unsettles Catan.

Owen Pallett turns collaborators into clients. A machine writes a love song for Aliya.

"I don't want to joke about my own anxiety. The world is just under a dark cloud right now." Comedians Chris Locke and Kathleen Phillips reflect on the role of comedy in troubling times, and the birth of their first child.

Featuring the best moments from the first 18 episodes of The Imposter.

Featuring the best moments from Canadaland's new arts & culture show, hosted by Aliya Pabani.

Performance artist Cassils talks about setting themselves on fire, having their image banned in Germany and making out with Lady Gaga in the Telephone video.

Author Pasha Malla recommends one of his favourite novels, the song that makes him speed, the band he was overly keen towards and an athlete's face.

Jess Salomon makes her comedy Great Again. Bruce McDonald goes to Washington. PJ Vogt inhabits a Weakerthans song. BJ Snowden loves Canada more than Canadians do.

Artwork goes missing. A film hits an impasse. An artist feels stuck. They turn to fortune teller Cindy Mochizuki.

Gif heritage with Sally McKay. Kiera Boult is the wizard of Canada's Brooklyn. The first movie star is from Hamilton.

Emily M. Keeler listens to one song seven times a day, goes on Instagram and ends up in the Twilight Zone, and looks for gopher holes in poetry.

Folk songs from a 19th-Century asylum for women, collected by the alter ego of Simone Schmidt.

Austra talks about her awkward CBC dance party, her days in an ostracized riot grrrl band and learning to own her music.

Kapwani Kiwanga sends a message to Saturn. SlowPitchSound goes to Wonderland. Rajni Perera launches deities into space.

The Fader's Anupa Mistry on a strange early clip of the Weeknd, new music you should pay attention to and why you should stop talking about the 6ix.

A ten-year-old leads the revolution on Youtube. An interview with two child screenwriters goes badly. A dad and daughter review Mac DeMarco's old band.

Comedian Fatima Dhowre recounts her many near death experiences. Aliya goes in search of the house that Nickelback built.

Sabrina Jalees knows the work side of comedy. She's been doing standup since she was a teen and has been on TV almost as long. But she's still waiting for that dream job.

Century Egg composes Chinese pop songs by Email. And a war is brewing in the Canadian art world. It's a war of loverz, haterz and haterzhaterz.

One man's quest to get his comics about the Metro newspaper into the Metro newspaper.

We asked for your help getting Jonny Rotsztain's comics about the Metro newspaper published in the Metro newspaper, and we've got some news about it.

We painstakingly crafted an homage to Jonathan Goldstein's WireTap, and we haven't heard from him since.

Darcy Spidle uses a jaw harp to play his insides. Aisha Sasha John studied clown to become a poet.

Guy Delisle slows down the kidnapping experience in his graphic novel Hostage. Cartoonists talk about who they want to trade work with.

For two weeks in 1974, the CBC broadcast ten hours of field recordings from across the country on their flagship show, Ideas. A group of twentysomething composers and an avant-garde acoustic ecologist were trying to capture Canada through sound. On this episode, we ask whether that’s even possible.

Filmmaker Charles Officer is done trying to convince people his stories have an audience. After struggling to get funding for fictional movies, he turned to digging up true, forgotten stories of Black Canada.

From experimental DJs to punk bands and soul singers, a surge of artists are creating modern, groundbreaking Indigenous music.

In the new season of The Heart podcast, Kaitlin Prest gets men to open up about that time when they didn't get consent, but did it anyway. We ask how she pulled it off.

Rare recordings of Indigenous folk, rock and country are re-issued, turning the spotlight back on trailblazing musicians from across the continent.

An operatic tenor takes turn-of-the-century field recordings out of the museum and back to their original community by fusing them with new, avant-garde songs.

Ziibiwan is an experimental electronic producer living in Toronto. He breaks down his Time Limits EP. Hear the Time Limits EP here and listen to “Bodies In the River,” his protest song about the Dakota Access Pipeline. Here’s a  video trailer for Time Limits. Jarrett Martineau talks about how Revolutions Per Minute (RPM) evolved from an online community to a cutting-edge record label. He and his skeleton crew are working to bring modern, experimental Indigenous music to a wide audience. Go to RPM’s website for news, interviews, podcasts and more information about the label. Jarrett will be hosting the show Reclaimed on CBC starting July 4th. This show also featured clips from the songs: “If Only” by Teeks “Stadium Pow Wow” by A Tribe Called Red, feat. Black Bear “The Carny” by William Prince “How to Steal a Canoe” by Leanne Betasamosake Simpson. Hear our interview with Leanne from last fall. “Glenn” by Uyarakq “Don’t Tell Me” by WEEDRAT   Photo: Becki Johnson of WEEDRAT; by Hotvlkuce Harjo I think you should be getting our newsletterGet a weekly note about our top stories.This is a good thing that we do. You'll like this.johnsmith@example.comSign UpForm is being submitted, please wait a bit.Please fill out all required fields.

Alanis Obomsawin is an Abenaki filmmaker who's been challenging Canada's image of itself for the last 50 years. And she got funding from the National Film Board to do it.

Aliya does her first 5 minutes of stand-up and gets two pro comedians to dissect it.

From Bob and Doug McKenzie to Letterkenny, the story of Canadian film and television is littered with Hosers. But what do they mean?         

The story of the most innovative instrument of the 20th century, and the Maritimer who invented its sound.

At the height of the New Age movement, there was a lot of music for plants. But there was only one Plantasia.

Ziibiwan is an experimental electronic producer living in Toronto. He breaks down his Time Limits EP. Hear the Time Limits EP here and listen to “Bodies In the River,” his protest song about the Dakota Access Pipeline. Here’s a  video trailer for Time Limits. Jarrett Martineau talks about how Revolutions Per Minute (RPM) evolved from an online community to a cutting-edge record label. He and his skeleton crew are working to bring modern, experimental Indigenous music to a wide audience. Go to RPM’s website for news, interviews, podcasts and more information about the label. Jarrett will be hosting the show Reclaimed on CBC starting July 4th. This show also featured clips from the songs: “If Only” by Teeks “Stadium Pow Wow” by A Tribe Called Red, feat. Black Bear “The Carny” by William Prince “How to Steal a Canoe” by Leanne Betasamosake Simpson. Hear our interview with Leanne from last fall. “Glenn” by Uyarakq “Don’t Tell Me” by WEEDRAT   Photo: Becki Johnson of WEEDRAT; by Hotvlkuce Harjo I think you should be getting our newsletterGet a weekly note about our top stories.This is a good thing that we do. You'll like this.johnsmith@example.comSign UpForm is being submitted, please wait a bit.Please fill out all required fields.

The story of Sexcoven.mp3, a 6-hour atonal drone track that got teenagers high in the late nineties.

"I see my goals and the things that I want so clear that if I'm not texting with Solange regularly, I'm nobody."

Saying yes to everything is an excellent approach to improvisation, but it's a terrible idea in life. So what happens when worlds collide?

Improv’s about saying “yes, and...” to everything. It’s about building a limitless environment for playful and absurd moments to surface organically—but when your boundaries are crossed, how do you push back?

A hagiography of celebrated publisher Annie Koyama.

A shoot 'em up game that runs on emotions and an Indigenous island that runs on memory.

"My mentor, who's like this 71-year-old retired pornstar from the 80s — she would always say the best porns come from your own personal sex life"

The difference between art and entertainment is in the eye of the bureaucrat, and what happens when your punchline is a 15-foot bronze statue of King Edward VII on a horse?

In 1986, an album called Keyboard Fantasies was recorded on cassette in Huntsville, Ontario. It was self-released and barely sold any copies. Recently, the album was rediscovered, shining a spotlight on the incredible catalogue of Beverly Glenn-Copeland.

Will Aliya bomb or solve racism with jokes? Find out in this final episode of The Imposter.